Artist Series: NGHBRS

Summer Eyes - Aaron Cahill

Summer Eyes - Aaron Cahill

This month's featured artist is Aaron Cahill. Aaron is a graphic designer, photographer, and DJ with an affinity for math. He has animated projector sequences for musicians, and is the man behind the wavy digital aesthetic of Instagram juggernaut NGHBRS.

Aaron is currently working on an art book based on his recent travels in Tokyo, but he was kind enough to take a moment to share his thoughts on social media, inspiration, and process. We could've gone on and on – we didn't touch on his hypnotic, glitch-driven animations, for instance, which I highly recommend. 

Our interview begins with the story behind the NGHBRS name, itself a fascinating study in searching for creativity in the physical world, and wraps up with a bit about what to expect from his upcoming show. So, without further ado, I give you Aaron Cahill:

TL: Aaron, thanks for doing this! First off, your instagram handle @nghbrs is huge. Can you tell me a little bit about NGHBRS? What is it? Was there an inspiration behind the name?

AC: Thanks, dude. It’s my pleasure. I used to go thrifting, looking for old science annuals/textbooks for $0.25. You know, stuff that’s totally useless, full of antiquated science and outdated technology. I’d use these for collages and illustrations.

Mostly scientists experimenting on lab rats – all in the name of progress. The name was pulled from an old 1950’s social studies book titled, "Your World and Mine: Neighbors In The Air Age." The title was how the world is smaller now with commercial air travel. Now everyone is your neighbor. I thought that Neighbors in the Air Age sounded lofty. Poetic. But mostly I was using it as a sarcastic statement about society. All the messed up events that happen in the world. Things that we do to each other.

Eventually, I shortened it. And I’m trying to be more positive with my art work. Create something that reflects that name. The art that I create now explores how our perception preserves the past. 

TL: How have you grown the brand to this point? And what advice would you give to upstart artists about the jungles of social media?

AC: Honestly, I’m not into Facebook, but I was drawn to the visual nature of Instagram. I think a lot of artists are. The medium made it easier for me to connect with other photographers and designers. It gave me the opportunity to work alongside them as well. That’s where all of my success comes from – collaboration.

Early on it was all edits done on an iPhone. We’re able share our processes – which apps do what and see how far they can push a pixel using a phone. I’ll share their work with my followers and they do the same. It kinda grew from there. 

The biggest piece of advice I have is figure out your voice. With social media people are looking for authenticity. You can see how my style has developed over the years. But it’s still my own.

Akasaka Lights - Aaron Cahill

Akasaka Lights - Aaron Cahill

TL: Much of your work combines strong design sensibilities – geometries, abstractions, color – with photographic elements. What draws you to this style?

AC: In high school, I was studying to be an engineer. So I took lots of math classes. Algebra, geometry, calculus and logic classes. That’s something that I’ve always had an interest in. And it’s something that has stuck with me. As a graphic designer, I have all of these elements at my disposal to communicate a certain message. As an artist, I naturally want to combine all of these things to pose a question.

TL: How do you typically start a piece? Tell us a little bit about your process.

AC: With design, I’ll concept, sketch and plan things out. However, these works begin as an exercise in composition. I try not think too far ahead. I’d rather they come naturally and try not to force anything. If it’s not working, I’m not afraid to come back to it or scrap the idea completely.

Typically I like to start with a photograph. Find angles within the layout or add geometry that compliments the subject matter. As common elements piece together, I’ll figure out spacing and hierarchy. Every now and then these are quick. They’ll come easily to me. Other times, I’ll build out smaller details, finishing touches that allows for an idea to emerge. Leaving room for mistakes is always part of the process.

TL:  Your work has landed in a really cohesive place. But zooming out a little bit now, do you have any standout memories of early art? When did it begin to appeal to you, and was there a moment when you began to take it more seriously?

AC: I was always drawing as a kid. In high school, a teacher recommended me for an AP art class. That was one of the first moments that I thought that I could do this for a living. Luckily, I come from a family that supported and encouraged me to pursue whatever interests I might have. 

TL: I don't know how we haven't mentioned this yet, but you're also a DJ. You're going to turn it up at your own show. Is there a lot of spillover between your music and your art? What are you listening to these days?

AC: Absolutely. DJing is just another way that I can express my creativity. I dig how electronic music matches the tone of my work. It adds another element in establishing a narrative in the viewers mind. 

At the moment, I’ve buying a lot of Seb Wildblood records. Chill deep house. Also digging Ishmael. It’s little bit jazzier. And if you’re looking for something a little more upbeat and groovy, I would check out Harvey Sutherland – I can’t recommend it enough. I’ll be playing tracks by all three Friday night. 

TL: Certain music scenes (hip-hop/indie-pop/electronica) and art styles in Oklahoma City are becoming increasingly visible – but let's get real, there's still plenty of room for growth there. I always ask artists this – what are some of the advantages of being an Oklahoma City-based artist? What are some of the disadvantages, or some of the things you’d like to see change?

AC: Oklahoma City has a small community of artists. It’s easy to get involved. It’s exciting to know that you can make an impact and help it grow.

TL: Okay, showtime. Your show opens Friday (9/8). What can people expect from this one? What should they look for?

AC: Can’t wait. It’s gonna be fun. I like for my shows to be a complete audio/visual experience. Hopefully it’s something they haven’t seen or heard before. 

TL: And a little free advertising. Anything you're working on right now that you want to share? Where can people find more of your work?

AC: I’m in the process of finishing up a book of my art work from a recent trip to Tokyo. That should be done soon. I’m also revamping my website. That’s looong overdue. In the meantime, you can find more of my work at

Everything Is in Decay - Aaron Cahill

Everything Is in Decay - Aaron Cahill

Gateways to the Future - Aaron Cahill

Gateways to the Future - Aaron Cahill

Cognitive Shift - Aaron Cahill

Cognitive Shift - Aaron Cahill

Echoes from a Silent Spring - Aaron Cahill

Echoes from a Silent Spring - Aaron Cahill

This Tokyo trip art book sounds awesome. Keep your eyes peeled and prep for more NGHBRS by visiting our store. His show opens during Live On The Plaza (9/8) and will be up for viewing through the end of September.

STATE OF THE UNION: Bike the Plaza, Plazafest, Sunset Cassette

STATE OF THE UNION, PLAZA DISTRICT, MUSIC, Local, ART, AdventuresSteven SilvaComment

Yo, September and October are always such busy months. The weather is in its prime, sports happen, and every event known to man is crammed into the calendar-equivalent of a Brooklyn studio apartment. 

With that in mind, here's a look at some of our upcoming events:

9/8 LIVE ON THE PLAZA: Bike the Plaza (7-11 PM)


Tired of guzzling price hike gas and parking problems? Pedal down to the Plaza Friday night. It'll make bar-hopping that much better. Excellent graphic artist and DJ Aaron Cahill is this month's feature. He'll be performing with the DAMN HAZE. We'll also throw some new stuff on our in-store press. Ride on by!

9/16 State Fair Graffiti Jam (All Day)


If you're going to elbow your way through the maze of fried food, you might as well stop by and say hi as we paint panels. We've expanded the event again this year, going from 6 artists a few years ago, to 15 last year, to a whopping 18 this year. Each artist will bring their own ideas and unique styles. Take pics and tag us with your favorites. If you're an aspiring painter or arts supporter, check it out! 

9/14 Pencil Pushers (7-10 PM)


Our free, biweekly drawing hangout sesh is open to all skill levels interested in developing the craft. No curriculum, and our only hard and fast rule is that you respect others. Post up, bring supplies, meet designers, graffiti artists, comic book creators, and casual doodlers. Swap tips, learn about supplies, and scribble away your worries. BYOB. 

9/17 Sunset Cassette: Haniwa & The Ivy (9-11 PM)


The final show of our summer series anticipates cool weather and dreamy tunes from local bands Haniwa and The Ivy. Listen below for delicious indie-pop vibes.

PS - This show will start later to accommodate the musicians' open house at Tower Theater. We're shooting for something like 9-9:30.

9/30 Plaza District Festival (11 AM - 11 PM)


Mark your calendars for Saturday, September 30th - this will be a whole day of celebrating local arts, culture, and the revitalization of our little neighborhood. There will be craft tents, three stages of music (headlined by the ever-cool Sports), food trucks, fresh murals, and good times.

Well there you go, now you have plans. Let the good times roll.

Grounded Sounds Podcast

INTERVIEW, Local, MUSICSteven SilvaComment

We had the chance to be on the Grounded Sounds podcast at the Tower Theater this week, and the whole experience was a blast. In the search for consistent, quality acts on the spirited level of Tulsa's bouncy Cain's Ballroom, the Tower Theater really has a chance to be that warm, historical venue OKC's previously lacked.

The doors opened all the way back in 1937, premiering films as the city's cinematic crown jewel for forty years. Now, after a long hiatus, the building has finally reopened. The guts have been completely reinvigorated. Stephen Tyler, Chad Whitehead, and Jabee Williams have pressed the right buttons bringing the project together. 

I'll throw a special thanks to Jen, Able, and Evan for hosting us - they were super kind and kept us from getting bogged down on all the microphones. Their second floor studio setup was an interesting mix of old and new, dotted with eclectic toys – a Marty McFly hoverboard, a Portal gun, and a 30 foot plush snake in the rafters. Equally exciting? The mini fridge was loaded with local beers. Shout out Grounded Sounds! Thanks again for the hospitality.

Chumps infiltrate Grounded Sounds

Chumps infiltrate Grounded Sounds

If you're not familiar, the podcast itself is an arm of Cellar Door Music Group focusing on intersections between local businesses and the local music scene.

For this episode we were mic'd up alongside local indie pop group Haniwa, one of the bands featured on our Sunset Cassette summer mixtape. They'll be bringing some jams to our backyard stage in a show with The Ivy on 9/17

In the podcast, we talk a little bit about our involvement in the local music community, printing posters for hip-hop legend Talib Kweli, and even touch on the history of the name Tree & Leaf. Haniwa caps it off with a fantastic, stripped down performance. You can listen to the whole thing here: